Kitty Barnett
Kitty Barnett is a foundation student at Ravensbourne University London, studying Art and Design with a focus on Fashion Communication. She has gained first-hand industry experience in fashion PR, social media, and photoshoot production. Passionate about fashion as a form of self-expression, she is driven by the intersection of creativity, brand storytelling, and cultural influence. She is highly motivated, well organised, and eager to grow within the fashion and events industries.
Alongside her passion for fashion, Barnett is deeply drawn to the world of hospitality and event management, particularly at the intersection of fashion and global events. Fashion weeks and international brand activations highlight the extraordinary power of experiential storytelling, and she is keen to be involved in the planning and management of such events across industries.
Reboot Tales – Untold Stories in the studio shoot. This image links quite nicely to Barnett's Little Mermaid idea but in a more unexpected way. Instead of making it feel soft or dreamy like the typical version, the blue lighting makes it feel a lot colder and more intense, which shifts it away from a fairytale and more into something slightly darker and more real.
The net works really well here because it almost feels like fishing netting, which subtly connects to the ocean without being too obvious. It creates this sense of being trapped or restricted, which contrasts with the idea of freedom that usually comes with mermaids. It makes the image feel more about control and limitation rather than escape.
Disco Ball – Disco Ball, nightlife disco aesthetic. The disco ball is the main focus, and it works really well because of how reflective it is. It picks up bits of light and surroundings, which adds texture and movement without anything actually moving. It also brings in that nightlife reference, but in a more daytime, stripped back way, which is quite interesting.
Her expression feels calm and quite self-assured. She is not looking directly at the camera, which makes it feel a bit more natural and less posed. It is almost like a quiet moment rather than something performative. The way she is holding the disco ball also makes it feel quite intentional, like it is something important rather than just a prop.
Red Lipstick – Red lips writing on a mirror to show confidence. This image feels a lot more personal and introspective. The mirror immediately creates a sense of reflection, but it is not just about appearance; it feels more like thoughts being made visible. The red writing across the mirror is what really stands out. It is quite raw and unfiltered, almost like things that would not usually be said out loud. Because it is written directly over her reflection, it feels like those thoughts are attached to her, which makes it more intimate.
The lighting is softer and warmer compared to harsher or more stylised images, which keeps it grounded and quite real. It feels like a quiet moment, like she is getting ready or just pausing, which contrasts with how bold the red text is. That contrast works well because the image itself is calm, but the writing adds tension.
If Mermaids Could Scream – If Mermaids Could Scream. Photoshop edited. This image feels quite experimental and abstract, especially through the way the colours and exposure have been pushed. The wave immediately sets the scene, linking to a natural, ocean-based environment, but the heavy editing almost washes parts of the image out, making it feel more surreal than realistic. It is like the image sits somewhere between a real photograph and something more graphic or illustrative.
The figures in the foreground are partially visible but slightly distorted by the editing, which makes them feel less like clear subjects and more like part of the overall composition. This creates a sense of blending between people and environment, rather than separating them. The use of bright, almost blown-out whites and soft aqua tones gives the image a dreamlike quality, but also slightly disorientates the viewer.
The “AETHER” text at the top anchors the image and gives it more of a magazine or editorial feel. It makes the whole piece feel like a cover or a designed outcome rather than just a photograph. The bold, outlined font contrasts with the softness of the wave, which helps balance the composition.
On Set – On Set, stratum Q Graffiti on clothes Glow in the dark. This image feels really energetic and quite chaotic in a good way. The lighting is the first thing that stands out, it’s dark overall but cut through with neon purples and blues, which gives it that strong nightlife feel. The light almost wraps around her body and creates these glowing outlines, especially with the motion trails, which makes the image feel like it’s moving rather than still.
Her pose is quite playful and confident. She’s turned slightly away but still aware of the camera, which makes it feel less posed and more like a moment caught mid-dance. The fact she’s holding something that catches the light adds to the movement, almost like it’s leaving a trace behind her.
The blur and light streaks make everything feel less controlled and more spontaneous. It’s not about sharpness or perfection, it’s more about capturing energy and atmosphere. The darker background helps everything stand out more, so your focus stays on her and the movement of the light.